Mirella Bentivoglio is known for her exploration of the relationship between image and word. “Language is not only bureaucracy and power,” she explains, “it belongs to history, where woman had a large part. It is the woman who gives language to the human being in his first years of existence.”
Born in Klagenfurt, Austria, to Italian parents, Bentivoglio grew up in Milan. Her linguistic studies in Switzerland and London were interrupted by World War II, and during this period, she used her father’s extensive library as a home-based university.
Unlike most poets, Bentivoglio presents poetry “liberated” from the traditional printed page. The artist plays with words, breaks rules of syntax, detaches words from phrases, and isolates letters from words. The results of these experiments—concrete and visual poems—are perceived as symbols and metaphors. She also creates unique artists’ books, often made from unusual materials such as marble, wood, metal, and earth, and publishes limited-edition portfolios. She is a renowned sculptor and performance artist.
She has curated many exhibitions of work by women artists in Italy and all over the world, and for the artist’s 90th birthday, the National Gallery of Contemporary Art in Rome is organizing a retrospective exhibition of her work.