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Role Models: Feminine Identity in Contemporary American Photography
October 17, 2008 - January 25, 2009
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Anna Gaskell
untitled #6 (wonder), 1996
chromogenic print
20 x 24 in.
Heather and Tony Podesta Collection
   

 
In today’s image-conscious world, photography is one of the most powerful mediators of our sense of self. This exhibition features the work of two generations of artists whose portraiture, self-portraiture, and narrative photographs have indelibly inflected our understanding of gender and identity over the past 30 years. More specifically it focuses on how role models and role-playing have been central to the art, meaning, and social function of contemporary photography. Role Models begins with the 1980s, a time when many American women artists and photographers such as Eleanor Antin and Cindy Sherman realized that they could be both the creator and the subject of their work, while others such as Nan Goldin, Sally Mann, and Mary Ellen Mark sought to document the varied roles that women and girls try on in their struggle to find an identity that fits. Role Models also considers how, by the late 1990s, a generation of photographers including Anna Gaskell, Catherine Opie, and Nikki S. Lee had become exemplars for a new cadre of younger women artists by collapsing old boundaries between postmodern and documentary photography, establishing new post-feminist sensibilities and evolving more fluid concepts of female identity.

Role Models: Feminine Identity in Contemporary American Photography is organized by the National Museum of Women in the Arts and is generously sponsored by the Business and Professional Women’s Council of NMWA, Lois Lehrman Grass, and the National Endowment for the Arts. Additional funding was provided by Sotheby’s and the Members of NMWA.

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